Live shows are a tricky beast. On one hand, fans have come to expect a specific sound based on studio recordings, created in a confined establishment with no outside interference, and the ability to correct and re-correct an infinite amount of times. On the other hand, if a band plays their songs exactly as recorded, they are criticized for not bringing anything new to their stage performance. What many people don’t consider is the third variable: differing sound from venue to venue. TV on the Radio is a very talented band – there’s no question about that; but on May 30th, performing at the historic Burton Cummings theatre in Winnipeg, that third variable came into play – and not in a good way.
Being a fan of TV on the Radio, I was excited at the prospect to witness their musicianship in person. I had heard great things about their live show, and expected nothing less than greatness based on my own opinions of their latest record, Dear Science, as well as their previous works. Much to my delight, the band played a diverse selection of songs from their EPs and LPs, treating the Winnipeg audience to a sort of “greatest hits” experience. Being that this was their first time in Winnipeg, it was nice to hear something that could please every fan. Unfortunately, hearing was the issue…
I’ve been to many shows at the Burton Cummings Theatre, and most nights, the sound is anywhere between acceptable and phenomenal. The night of May 30th was not one such night, and this was the biggest downfall to a show that would have been a memorable one. What I question is whether it was the in house sound or a technical issue on the band’s end. I was up close, moved back, and even further back, and anywhere I was in the theatre, the poor sound remained predominant. I’d like to say that this didn’t hamper my ability to enjoy the show, but if that were the case, I wouldn’t be talking about it now.
Despite poor sound, it is clear that TV on the Radio is a talented bunch, and the energy that they set forth on stage (specifically singer Tunde Adebimpe), is contagious. However, concerts are about the music first, and the visuals second, and ignoring the sound issues would be a disservice to any music fan. Next time I see TV on the Radio, I hope it is at a different venue so I can get the full experience. Until then, I will remember this show as one that was visually enticing, but audibly lacking due to “technical difficulties” – and that is a shame.










The Walker Theatre is the
The Walker Theatre is the oldest of Winnipeg’s three surviving grand theatres. Officially opening in February, 1907, the Walker rustic lighting showcased some of the finest pre-World War I performers from American and British stages.Built by Corliss Powers Walker and his wife Harriet, the couple had originally palm tree lamp moved to Winnipeg from Fargo to refurbish and operate the Winnipeg Theatre and Opera House, formerly Victoria Hall at Notre Dame Avenue and Adelaide Street. The Walker was part exterior lighting of the Theatre Syndicate of New York connected to Walker’s Red River Valley circuit, which included touring houses in Fargo, Grand Forks, Grafton and Fergus Falls.
Ping back from las vegas web
Ping back from las vegas web design
Great article! Keep in touch!
I think The back side
I think The back side picture is very nice....
its a part of jock
I heared your songs these are great ...
I would like to give you a suggestion please take cheap insurance before doing your concert.
I can not even decide if I
I can not even decide if I like their songs, maybe I just have not listened to them all.
Wow.. I just saw TVOTR last
Wow.. I just saw TVOTR last night in London at the Brixton Academy... and surprise surprise, great performance - absolutely shocking sound.
Its like a cacophany of noise - everything in the mid ranges drowning out everything else. Couldnt hear the horn sections.
I saw a quote in one of the daily papers yesterday with the memorable quote 'sounded better on the radio...'.
Do a quick google for "TV on the radio" + bad sound - and you'll see this is no once off thing - seems to happen quite often. Most notably on Saturday Night Live.
What gives? Is it their sound is just too "big" for the average sound engineer to mix. Is the cacophany of sound what they go for at live shows?
They still obviously get rapturous applause for being a great outfit but is the band aware of this problem? Is anyone tellin them?
I can't really imagine them
I can't really imagine them not being aware of the issue, considering the high production quality of their records. What I wonder is whether or not they bring their own sound engineer on tour. They are pretty successful, but are they big enough to afford the additional cost? Judging by your and my reaction, and this seemingly common occurence, I would think the investment is well worth it..
Post new comment